Mastering For Vinyl Tips

It consists of a mono stereo image up to 150hz a tamed high end and if needed a track listing that is consistent with the frequency limitations of record cutting.

Mastering for vinyl tips. The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record. Remember though there are many dos and donts of de essing. Due to the physical nature of the cutting and playback process there are a number of considerations and limitations that must be addressed in mastering. Try to avoid using psycho acoustic processors to an excessive degree.

Izotope rx 7 s de ess module does an excellent job of isolating harsh sibilance with a transparency that s suitably unobtrusive to the overall sound of the master. The conditions for recording and subsequent reading of vinyl records get worse with the decreasing diameter towards the middle of the record the label. The only way to make sure your master is ideally suited for the vinyl format is by hiring a professional mastering engineer to pre master your material for vinyl. Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion.

Izotope rx 7 s de ess module does an excellent job of isolating harsh sibilance with a transparency that s suitably unobtrusive to the overall sound of the master. Luckily joe albano is here to demystify the process using some specialised plugins from the waves abbey road collection. Vinyl is more popular now than it has been for many years but mastering your music for vinyl requires a different approach to other media. If you re mastering strictly for cd start by setting your final limiter s output ceiling to 0 2 or 0 1 dbfs never to 0 0 or intersample peaks can sneak through and cause distortion on consumer playback devices.

Mastering for vinyl has its own special set of considerations. And therefore many variables are at play. Manual de essing of a digital cutting source is also a preferred method for many vinyl cutters and mastering engineers. Remember though there are many dos and donts of de essing.

Andre calilhanna audio mastering excerpted from our new guide the musician s guide to vinyl this post digs into post production audio mastering for vinyl records. Mastering is the final step in the recording process which takes place after the mixing process post production to optimize and add the final sonic touches to your recordings. For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all. Manual de essing of a digital cutting source is also a preferred method for many vinyl cutters and mastering engineers.