Mastering For Vinyl Uk

The strategies below have all been time tested and are even more useful for today s diverse selection of music.

Mastering for vinyl uk. It consists of a mono stereo image up to 150hz a tamed high end and if needed a track listing that is consistent with the frequency limitations of record cutting. The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record. Our philosophy our philosophy and mostly passion is to get the best possible audio for your musical projects. Audio should avoid excessive high frequencies and out.

However thoughtfulness and nuance are key. When submitting your music for vinyl production it is very important that it has been mastered for the vinyl medium. Vinyl has notable characteristics that cutting and mastering engineers need to be aware of when mastering for the format. Several known outboard de essers through the years include the maselec mds 2 and the orban 536 a.

Chameleon collective 2 12. Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion. Making the transition from digital to analog requires a lot of additional considerations. Due to the physical nature of the cutting and playback process there are a number of considerations and limitations that must be addressed in mastering.

But many vinyl cutters have been benefitting from the constant development and growing versatility of the plug in world. It is a chain process ranging from eqing compressing and applying different levels of distortion. Mastering for vinyl is now a highly specialised skill that few mastering engineers are able to do. One such nuance is the relation between level and length of time.

Our team comprises of sound engineers that have around 40 years experience between us. Vinyl mastering facilities rely on de essers that are built for this particular problem. For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all. That being said unlike digital mastering it has to follow a certain set of rules.